SUITED AND BOOTED FOR THE TRAIN
LET'S GET THIS SHOW ON THE ROAD SHE SAID
ITS SHOWTIME
WE STARTED IN LONDON
AND HIT UP CHELTENHAM BY THE AFTERNOON
AFTER WORKING OUR WAY THROUGH GLOSSY PAGES AND A LOT OF COCONUT WATER AND GINGER CHEWS (THE BOHEMIAN CANDY OF CHOICE)
SOME NOURISHMENT A L'HOTEL (STOMACH LINING) BEFORE
GETTING A BIT MORE FANCY FOR THE EVENING.
WE LOOK AWFULLY CLEAN (JUST DON'T LOOK AT OUR NAILS)
SPORTING THE FRUITS OF OUR COLLABORATION:
THE DOUBLE A PATTI DRESS
AND
THE PAINTERS BLOUSE.
PAINTED BY ANTOINETTE'S MAGIC HANDS, AND SEWN INTO GARMENTS BY ALIX OF BOHEMIA.
ACCESSORISED WITH SEQUINS AND FUR RESPECTIVELY.
ONTO THE OPENING
ROBERTA MOORE CONTEMPORARY PRESENTS
RAPTURE
DOUBLE A BOXES
MIXED MEDIA
FLORA, TINY DANCER AND PAISLEY:
STUART SEMPLE'S DEBBIE HARRY IMAGES, ABOVE
LONDON'S LATEST ANSWER TO WARHOL'S SHTICK
AND THE INCREDIBLE TOM DARNELL'S PEONY SERIES BELOW
RUFFLY PINK WAVES OF PINK LEAVES AND POWDERY PINK LUSCIOUSNESS
A LITTLE BATHROOM PHOTO SHOOT, CLUELESS STYLE
WITH ANTISOCIAL AND NARCISSISTIC BEHAVIOURS OUT OF THE WAY, WE MOVE DEEPER INTO THE EXHIBITION, LOAD UP ON SOME MORE CANAPES AND HIT THE BAR
WE THINK THIS IS CALLED HIGH END CAMOUFLAGE
WHERE DOES THE PAINTING START AND ANT BLOUSE END?
ANTOINETTE'S WORKS ON PAPER, GOLDEN DOVES ABOVE
AND THE ARTIST IN THE FLESH IN FRONT OF HER TABLEAUS
AND WE PAT OURSELVES ON THE BACK, AND HAVE A FIERY NIGHTCAP AND TOAST EACH OTHER.
(BEFORE RETREATING TO BED TO WATCH 'WORLDS MOST EMBARRASSING BODIES)
THAT WAS THURSDAY EVENING.
FRIDAY MORNING WAS A MORE HAZY AFFAIR
AND WE PREPARE FOR WHATS NEXT
CHRISTMAS IS COMING.
TO OWN A PIECE OF DOUBLE A GO HERE
TO SEE MORE OF ANTOINETTE'S WORKS GO HERE
